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There's a lot You have to do such as make car designs, build factories, employ workers, spread sales Great game for those that like micro management.

Review 2: Ever wanted to design and create your own car? And what about producing and selling it afterwards? Well, here is your chance. In Detroit you are the manager of a company that design, produce and sell their own cars. You will have to take decisions on all matters related to all those complicated processes.

It can be quite hard to figure out what to start with once you have created, named and placd your company as there are many different options in the game. It helps quite a bit that the game interface is good looking and easy to understand.

Overall a good game if you like these business simulations but beware - the game can be difficult to play for new people in this genre and may be the reason why Detroit never really succeed in getting popular. Still it's quite unique and worth a try for most people as you can't say you don't like this genre because there aren't many other games with this idea.

Review 3: Detroit is a logical follow-up of Impressions' excellent airline industry sim Air Bucks. This time, the year is , and you are the President of an upstart car company. You will build and design cutting-edge automobiles, take care of finances and promote your products with marketing campaigns.

Vintage car lovers will really enjoy the game, as it includes many classic car designs, all of which you can modify to your heart's content. As time goes by, new technologies will become available, and the industry will evolve with faster and safer cars. Competition, of course, will become tougher as your competitors catch up to your technological advantages.

You must then think globally -- open new factories overseas, and think of how to segment your market with different car models that do not cannibalize each other's sales.

Like Airbucks, Detroit emphasizes fun and playability over historical realisms, although there is enough historical accuracy in the game to satisfy the most demanding of gamers.

The computer opponent is also much stronger than Air Bucks, making it a good challenge for all armchair businessmen. Also check out Max Design's more sophisticated but less-known Motor City. Review 4: In this game you start your own car factory, you can build and design your own cars, research new parts, advertise for your product etc etc.

Produce the very best car there is, export it to other parts of the world or just keep it local. A very good game, the idea is great and the graphics are ok. Everything, but really all the power of Detroit is in its spirit: the plot can develop in different ways and despite having macro sections that follow certain tracks what counts in the end is not the destination but the journey; not only that of the three protagonists, but also and above all that of the player himself.

Detroit is an interactive experience, a social experiment that has the ambition to bring players to a deep, intimate reflection, and this is demonstrated by the fact that superficial and hasty choices can eliminate important parts of the game or even whole chapters, which are many and very reputable, but they can also be drastically reduced with the death of one character or the other.

As in Heavy Rain , in fact, the protagonists can die and this does not pose any limit to the plot, which develops accordingly. Game over, as David Cage has accustomed us, does not exist, there is only the story that we decide to create among those possible. Once again the doubt is always the same: are we really talking about a video game?

Or is it a bivi interactive movie? The answer is convoluted but the gameplay certainly plays a central role: time marks every topical moment with anxious countdowns and the difficulty for experts makes all the choices, all the clashes, all the engaging and pathos-rich topical movements. There is not only the decision, we often also need to chain a series of rapid keys within a frantic sequence in order to be able to reach our goal, so we can say that interactivity is really taken to a level where it is functional and decisive to the experience you want to convey.

From this point of view the leap forward is enormous and those who have suffered this aspect in the previous Quantic Dream titles are obliged to question themselves again.

Become Human has very simple controls, interacting with the environment with different movements of the right stick, using the rest of the buttons on QTE, and some of the features of DualShock 4, such as motion control or touch panel. These controls work perfectly and quite intuitively , and it shows that they have been working on the basis for many years.

The use of graphic effects, with trembling keys in front of a difficult choice, the meta text in fonts, sizes and positions that amplify the effect on the player according to the moment, and the very successful trick of the led on the temple of androids that changes color according to the mood.

All this made extremely effective by a graphic rendering that probably has no precedent in the whole videogame genre: the rendering of the characters and their expressions is not only photorealistic but used with disarming results that have left us not a few times with an open mouth to admire for a few seconds the scene we were living, without counting a direction that has nothing to envy to the best films.

The camera, designed in every single movement, drags the player and becomes an integral part of the gameplay, with strategic frame changes, ad hoc zoom in and zoom out and close up on details calculated with extreme care.

Detroit has an absolute visual power, it clearly qualifies itself above and beyond what is seen in the videogame genre and it does not suffer in the least the CGI graphics, exploiting it even to its advantage. If Quantic Dream had accustomed us to the "Performance Capture" with Beyond, PS4 and current technologies get even better results, thanks to a dubbing that in the original language gives a completely different meaning, even if the Italian localization is one of the best among videogames.

The sound is also a pass, with up to three composers to perform the soundtrack, one for each main character, with melodies that hit the spot and accentuate the feelings in each scene, something very important in a game as cinematic as this. Unfortunately not, mainly for the same reason that makes it excellent: in many places the plot seems forced to put plot twist into play a bit out of tune in relation to the powerful message that this title wants to convey, with developments so interesting from the emotional side as forced by that of coherence.

There are also several passages in which the player is forced to "turn a blind eye", in the face of obvious solutions or limits that the game avoids taking into consideration for the sake of the plot and the various finals, even these many, all interesting and all some even unexpected. Detroit Become Human is a game with ambitions equal to its quality, which has the courage to put the player in front of profound and thorny issues and the ambition to want to drive it through a reflection that can make him find answers to complex questions.

It is set in a likely future but deals with extremely topical themes, with determination and without too many words; he is not afraid to show negative emotions, giving those who have the controller in their hands total power over the gaming experience and have no qualms about destroying the hard work with some merciless endings.

It is not indulgent, and above all it is not foreign to renunciation, sacrifice and punishment.